Kolibri II
Kolibri II
Material
acrylic on canvas
Size
100x100 cm
Price
15000 €
incl. vat, excl.
shipping & customs
Delivery within ca. 7 days
This stunning painting captures the vibrant beauty of a hummingbird perched gracefully on a delicate branch. The bird features iridescent feathers in hues of emerald green, deep blue, and a touch of fiery orange along its throat, creating a captivating contrast against the softly blurred, muted background of tropical foliage. The subtle brushstrokes and tranquil color palette evoke a sense of serenity and connection with nature, making it a perfect focal point for any space.
This exquisite artwork can enhance various interior environments, adding a touch of nature-inspired elegance. Ideal placements include living rooms as a striking focal piece, bedrooms for a calming atmosphere, or entryways to create a welcoming impression. Additionally, it suits modern, tropical, or eclectic decor styles, bringing a refreshing burst of color and life to your interiors.
This exquisite artwork can enhance various interior environments, adding a touch of nature-inspired elegance. Ideal placements include living rooms as a striking focal piece, bedrooms for a calming atmosphere, or entryways to create a welcoming impression. Additionally, it suits modern, tropical, or eclectic decor styles, bringing a refreshing burst of color and life to your interiors.
Individual artwork by ARTOUI
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About the artist
Johann Brandstetter
Neuötting südlich von München
Painter, draftsman, illustrator,
I design my “life’s works” using both classic and new techniques and thus create complex worlds of images. With my art, I call for a new look at ecological systems and the role that humans play in them.
By exploring the boundaries between art and science, I ask myself the question of the meaning of art as a process of observing nature.
My ideas arise on trips and excursions, “plein air” so to speak, from viewing and deepening in what is actually natural.
I record my “material” from these observations and experiences in sketches and notes in travel diaries.
The actual creative process, the transfer into an image composition as its own painterly language, ultimately takes place in the studio.
I don't just stick to exact observation of nature, it's just part of the artistic work process. Rather, my aim is to make the highly complex processes and symbioses of nature visually understandable. For me it's about the essentials in the literal sense and so I take the viewer with me on my journey.
