My name is Kerry Inkster and I am an artist and yoga teacher living in the remote tropical city of Darwin, in the Northern Territory, Australia. The world of women swimming underwater features strongly in my work. My paintings explore the female fi...
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Material
Acrylic on Canvas, Ready to hang
Size
61x122 cm
Price
1450 €
incl. vat, excl.
shipping & customs
Delivery within ca. 7 days
In the passionate movement of colour, I've captured youthful grace and bold expression. This piece, a vibrant dance of colours, brings the dynamic energy of a young performer to life. Each stroke resonates with emotion, merging expressionism and fine art, while a pop art twist invigorates the space it occupies. It is a spirited reflection of life's blossoming moments, infusing your home with the exuberance of endless potential.
I had been reading a book about Edgar Degas, one of my favourite artists, and noted a quote "...An artist has to be able to cut a great deal away...". Reflecting on this quote it struck me that it is applicable to all of us, artist or otherwise. So I created a piece in a semi-abstract style and in that process I have been reminded that in stripping back, sometimes, less is more. I had already chosen the base image of the little ballerina underwater for this painting (inspired by Degas love of ballet dancers), and I look at this painting now and am comforted by the reminder that it's okay to take the philosophy that "less is more".
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About the artist
Kerry Inkster
Darwin, Northern Territory, Australia
My name is Kerry Inkster and I am an artist and yoga teacher living in the remote tropical city of Darwin, in the Northern Territory, Australia. The world of women swimming underwater features strongly in my work. My paintings explore the female figure and face through poetic symbolism, paint itself, light, colour, and personal journal. I am particularly interested in capturing feelings and in the water’s ability to foster healing, transcendence, escapism, and sanctuary.
My paintings have a distinctive, bright palette with saturated tones and contrasting light, and I work predominantly in acrylic on large-scale canvases. I use Notan principles, a term derived from the Japanese language, literally means “light-dark balance.” I find it to be an excellent tool for simplifying the composition of complex scenes and to see value instead of colour. This encourages my exploration of colour, employing Paul Gauguin’s synthetist style, where I aim to synthesise three features in my work; the outward appearance of natural forms; my feelings about my subject; and the purity of the aesthetic considerations of line, colour, and form.
My process involves working on each painting individually, so each one is unique in form, colour, and emotion. My paintings tread boundaries between pop art and expressionism, realism and abstraction. I strive to articulate a felt sense in physical form. My mission is to uplift women – this is the engine that fires my entire practice.