Born in Nuremberg in 1967, lives and works in Wriezen and Berlin.
1988 – 1993 studied journalism and philosophy at the Catholic University of Eichstätt | 1993 – 1996 Volunteer and Editor | 1997 – 2008 Entrepreneur and management consultant | 20...
Material
Öl und Cut-out auf Schichtholzplatte
Size
84x120 cm
Price
7000 €
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Delivery within ca. 7 days
This striking painting features a serene natural setting, dominated by lush greenery and tranquil waters. In the foreground, a human figure is depicted in an abstract style, seated gracefully on a large, twisting branch that reaches into the water. The use of contrasting colors and textures elevates the emotion of the piece, as the figure is rendered in a lighter hue, suggesting a sense of openness and transparency amidst the vibrant backdrop of deep greens and earth tones. The interaction between the solid forms of nature and the ethereal quality of the figure creates a captivating tension, inviting viewers to explore deeper narratives about identity and presence. The brush strokes convey a sense of movement, suggesting a gentle breeze or the rippling of water, enhancing the painting's tranquil essence. This painting would make an impactful addition to various interior spaces, including living rooms, galleries, or meditation spaces. Its serene aesthetic and thought-provoking imagery could promote relaxation and discussion, making it ideal for settings where creativity and calmness are sought. Placing it above a modern sofa, creating a reading nook, or as a focal point in a minimalist space would draw attention and appreciation.
How can the artistic act be portrayed artistically interesting through the media in times of constant stimulus? My answer is the carving out of the figure from the work that has been painted on wood plate – instead of a recognizable individual, an abstract surface is created in the wood that serves the viewer as a projection surface for his own ideas. So I also question our visual habits: what do we interpret? What beauty ideal does abstract forms transport? Do the ideals that form in our minds correspond to any reality? Or are they rather the result of a virtuous self-optimization force that young people can no longer escape? The reality emerges behind the idealized figure.
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