Carol Muthiga-Oyekunle

| BIOGRAPHY | Carol Muthiga-Oyekunle is a Kenyan-American artist and accessories designer. Her work is influenced by a foundation in graphic design and career as a fashion accessories designer. Lolita Lorenzo (named for her daughters Chiara Lola and Siena Lorenza) showcases her multiple disciplines: eyewear, minaudière, jewelry, home decor, illustration and fine art. Carol is a graduate of the Royal College of Art in London (MA Fashion). | ART PRACTICE | “Her hair is her adornment and her clothing is her armor” - In the works of Carol Muthiga-Oyekunle, women are portrayed as symbolic warriors, radiating strength and joy. Combining digital and mixed-media collage methods with photography and vivid graphical elements, the artist skillfully interweaves techniques to create bold and brilliant portraits of her female subjects. The resulting art depicts themes from the past, present and imagined futures, holding up a mirror to a patriarchal society. Muthiga-Oyekunle finds inspiration for her art in her daily life - from faces on the street to close friends and women she admires. Her experimental approach involves fusing disparate elements and styles into a cohesive whole - it’s this contrast that adds a touch of magic to all her art. Her diverse, multifaceted technique draws on a wide range of classic and modern influences – everything from Klimt, Matisse, Mucha and Lichtenstein to her contemporaries Kehinde Wiley, Yinka Shonibare and Wangechi Mutu. Recurring themes in the Paris-based, Kenyan-American artist’s creative process are culture, tradition and Afrofuturism – the artistic and philosophical movement which envisions a high-tech futuristic African diaspora, where racial equality is a reality rather than an idea. The artist herself describes her subjects as “intergalactic”. | ARTIST STATEMENT | "My digital and mixed-media collages reference fashion editorial photography and iconic women, juxtaposed with bold, colorful botanical motifs that present the illusion of mythical, ethereal creatures. The central figure is depicted as the heroine. Her hair is her adornment and her clothing is her armor. Feminine themes of creation, motherhood, love, protection, wisdom and strength are the foundation of my visual art. My creative process comes from how I feel my ideas can be best presented in a way that is relevant to the world around me, and that can withstand the test of time: merging my heritage, culture, sacred symbolical geometry, and Afrofuturism. I am driven by the notion of the Woman as a symbolic warrior—her battles often go unseen."