Being 48°2'10.998" N 11°3'3" E (Tree Crowns 10)

This captivating artwork features an intricately detailed depiction of a tree's root system set against a clean, white background. The image showcases the twisting, delicate branches and complex network of roots that evoke a sense of organic beauty and natural symmetry. The earthy tones of the roots, highlighted by the subtle textures and the contrast of light and shadow, create a compelling focal point that invites a closer look. This unique perspective encourages viewers to appreciate the often-overlooked structures of nature and conveys an inherent balance between strength and fragility.
This artwork is ideal for modern or minimalist interior spaces. It can serve as a stunning focal point in living rooms, home offices, or even galleries, enhancing the ambiance with its organic yet contemporary feel. Pair it with monochromatic furniture to accentuate the artwork's detailed features and create a serene atmosphere in any room.

Different sizes in the Din A1 format 59,4 x 84 cm and 160 x 115 cm | The series “Tree Crowns” was awarded as Gold Winner at the Tokyo International Photo Awards in 2018. In 2017, she received the 1st place of the expert jury at the FIX Photo Awards in London. In 2015 she won the audience award at the 125LIVE Awards supported by Olympus in London. In 2015, she was added to the Kolga Award in Tbilisi, Georgia to the selection Best Photos of the Year. In addition, she received 10 additional honorable ments for top-class and international photo competitions. This photograph impresses with a special attention to detail and closeness. It is assembled from 25 – 35 individual recordings. The number of recordings depends on the size of the tree. This results in a witness of an encounter over a period of time, compared to a snapshot in a conventional photography. The appearance of the tree remains unaffected. With this special technique, Christoph Franke wants to transfer the energy of the nature tree into the photo. Christoph composes the treetops “top standing” in order to invite the viewer to an encounter with the nature tree, instead of classifying them – as usual – in common experiences and expectations. It fascinates the appearance of the trees in winter with their network of branches extending from the inside to the outside.