Being 48°2'33.8412" N 11°4'28.4536" E (Tree Crowns 30)

This stunning artwork presents an intricate and thought-provoking depiction of tree roots, captured in a unique upside-down orientation. The focus on the delicate, twisting branches and sprawling root system emphasizes the natural beauty and complexity of trees, showcasing their organic forms. The artwork's minimalistic white background accentuates the detailed textures and subtle color variations of the branches, creating a striking contrast that draws the eye. This composition evokes a sense of connection to nature and the unseen, fostering a feeling of contemplation and serenity.
This painting is ideal for modern and minimalist interiors, as its clean lines and profound symbolism can enhance spaces such as living rooms, offices, or meditation areas. Placed above a sofa or in a reading nook, it serves as both a focal point and a conversation starter, inviting viewers to explore its intricate details.

Tree Crowns Different sizes in the Din A1 format 59,4 x 84 cm and 160 x 115 cm | The series “Tree Crowns” was awarded as Gold Winner at the Tokyo International Photo Awards in 2018. In 2017, she received the 1st place of the expert jury at the FIX Photo Awards in London. In 2015 she won the audience award at the 125LIVE Awards supported by Olympus in London. In 2015, she was added to the Kolga Award in Tbilisi, Georgia to the selection Best Photos of the Year. In addition, she received 10 additional honorable ments for top-class and international photo competitions. This photograph impresses with a special attention to detail and closeness. It is assembled from 25 – 35 individual recordings. The number of recordings depends on the size of the tree. This results in a witness of an encounter over a period of time, compared to a snapshot in a conventional photography. The appearance of the tree remains unaffected. With this special technique, Christoph Franke wants to transfer the energy of the nature tree into the photo. Christoph composes the treetops “top standing” in order to invite the viewer to an encounter with the nature tree, instead of classifying them – as usual – in common experiences and expectations. It fascinates the appearance of the trees in winter with their network of branches extending from the inside to the outside.