Being 48°2'51.558" N 10°54'26.778" E (Tree Crowns 16)

This captivating artwork features an intricate depiction of a tree, presented with its roots above ground in a striking, upside-down composition. The branches extend gracefully, resembling a delicate, intricate pattern that draws the eye. The tree's sparse foliage conveys the essence of winter, highlighting the interconnectedness and beauty of nature. The simplicity of the white background enhances the artwork’s elegance, providing a clean and modern aesthetic that allows the viewer to focus on the delicate details of the roots and branches. The careful articulation of the natural form evokes a sense of wonder and introspection about nature's hidden structures.
This artwork is ideal for a variety of interior settings. It would make a stunning focal point in a contemporary living room or a minimalist office space, offering a serene yet thought-provoking element to the decor. Its neutral color palette and abstract presentation allow it to blend seamlessly with different styles, including modern, Scandinavian, and even eclectic interiors. Positioning it in a well-lit area will further accentuate its intricate details.

Different sizes in the Din A1 format 59,4 x 84 cm and 160 x 115 cm | The series “Tree Crowns” was awarded as Gold Winner at the Tokyo International Photo Awards in 2018. In 2017, she received the 1st place of the expert jury at the FIX Photo Awards in London. In 2015 she won the audience award at the 125LIVE Awards supported by Olympus in London. In 2015, she was added to the Kolga Award in Tbilisi, Georgia to the selection Best Photos of the Year. In addition, she received 10 additional honorable ments for top-class and international photo competitions. This photograph impresses with a special attention to detail and closeness. It is assembled from 25 – 35 individual recordings. The number of recordings depends on the size of the tree. This results in a witness of an encounter over a period of time, compared to a snapshot in a conventional photography. The appearance of the tree remains unaffected. With this special technique, Christoph Franke wants to transfer the energy of the nature tree into the photo. Christoph composes the treetops “top standing” in order to invite the viewer to an encounter with the nature tree, instead of classifying them – as usual – in common experiences and expectations. It fascinates the appearance of the trees in winter with their network of branches extending from the inside to the outside.