Being 48°4'45.78" N 11°8'36.348" E (Tree Crowns 04)

This striking artwork features a dramatic and intricate depiction of a tree viewed from below, showcasing its bare branches against a minimalistic white background. The tree's intricate network of branches radiates outward, creating a sense of organic symmetry and balance. The stark contrast between the dark, textured bark and the surrounding negative space allows the viewer to focus on the delicate details and architectural form of the tree, evoking a sense of introspection and connection with nature. The absence of leaves adds to the haunting beauty of the composition, suggesting themes of resilience and transformation.
This artwork would be a stunning addition to various interior spaces, particularly in modern or minimalist settings. It can be placed in living rooms, offices, or meditation spaces to enhance a serene atmosphere. The artwork's contemplative nature makes it ideal for spaces designed for relaxation or reflection, complemented by neutral or earthy tones in decor.

Different sizes in the Din A1 format 59,4 x 84 cm and 160 x 115 cm | The series “Tree Crowns” was awarded as Gold Winner at the Tokyo International Photo Awards in 2018. In 2017, she received the 1st place of the expert jury at the FIX Photo Awards in London. In 2015 she won the audience award at the 125LIVE Awards supported by Olympus in London. In 2015, she was added to the Kolga Award in Tbilisi, Georgia to the selection Best Photos of the Year. In addition, she received 10 additional honorable ments for top-class and international photo competitions. This photograph impresses with a special attention to detail and closeness. It is assembled from 25 – 35 individual recordings. The number of recordings depends on the size of the tree. This results in a witness of an encounter over a period of time, compared to a snapshot in a conventional photography. The appearance of the tree remains unaffected. With this special technique, Christoph Franke wants to transfer the energy of the nature tree into the photo. Christoph composes the treetops “top standing” in order to invite the viewer to an encounter with the nature tree, instead of classifying them – as usual – in common experiences and expectations. It fascinates the appearance of the trees in winter with their network of branches extending from the inside to the outside.