Thierry Vobmann is a professional French artist who lives in Brittany, the most westerly place on the European continent.
For more than ten years, he has devoted himself almost exclusively to abstract painting because he has set himself the goal of...
Material
Acrylic on canvas stretched on a deep edge wooden frame of 3,5 cm.
Size
70x70 cm
Price
1525 €
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Delivery within ca. 7 days
This captivating painting features a dynamic blend of vibrant colors, showcasing the intense energy of abstract expressionism. Dark backgrounds juxtapose vivid greens, fiery reds, and energetic blues, creating a sense of movement and depth. The bold strokes and swirls suggest a forceful presence, perhaps evoking the image of a powerful animal in motion, encapsulating the raw beauty of nature. The use of layered textures adds an intriguing complexity, inviting the viewer to explore the emotion and vibrancy encapsulated within. This lively artwork would make a striking statement piece in a modern living room or a trendy office space. Its bold colors can serve as a focal point or a conversation starter. Consider placing it above a sleek sofa, in a hallway, or against a backdrop of neutral-toned walls to enhance its visual impact.
This artwork is the second dedicated to the blind painting experiment. The main idea is to detach myself from the hold of sight and senses in general, to capture a pure and universal energy that is not disturbed by the influence of my mind. You can read all the details in the description of the first work.
For this new experience, I approached the work differently.
First, I prepared myself with a one-hour session of meditation during which I emptied my mind of everything, to keep only one image, that of my canvas, a square of 70x70 centimeters.
Just after this conditioning, being perfectly calm and relaxed, I placed myself in front of my canvas, my paint tubes on my left and I blindfolded.
I did not feel any anxiety like the first time. I took the blue color and started spreading the paint with my palette knife, letting me totally go, thinking only of the energy I wanted to illustrate on the canvas.
During all this time, I had kept in memory the large black square of canvas in front of me and little by little, I imagined the evolution of the work, the movements, the location of the various colors, the general balance. I was as though sucked through this big black window, but without moving away from it because of the concern of the technical realization of the painting.
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