The Museo Nacional Reina Sofía, Madrid (National Museum of Queen Sofía) and the Museo Da2 Domus Artium, Salamanca already presented the paintings by Oscar Seco. His work was accepted into other international museums and collections ....
Material
Acryl auf Leinwand
Size
162x130 cm
Price
7500 €
incl. vat, excl.
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Delivery within ca. 7 days
This thought-provoking painting portrays a surreal scene where enormous, lifelike fish, appearing to be at least several times the size of a human, dominate a landscape marked by devastation. The setting features a blend of dilapidated buildings and rubble, indicative of destruction, possibly a result of a natural disaster or war. In the foreground, a figure dressed in a superhero costume stands amidst the chaos, seemingly in awe or contemplation of the bizarre scene. A small white car adds scale to the painting, emphasizing the enormity of the fish. The sky is a vibrant blue with scattered clouds, adding a sense of contrast to the otherwise bleak environment. The tension created by the juxtaposition of the whimsical fish against the harsh realities of destruction invites viewers to explore themes of resilience, hope, and the absurdity of life. The painting employs a realistic technique with a striking color palette, making it visually compelling. This painting would make a striking focal point in a variety of interior spaces. Consider placing it in a modern living room, art gallery, or creative studio where it can spark conversation and intrigue. Its powerful imagery could also serve as a unique statement piece in an office space, particularly in areas focused on innovation and creativity. The surreal nature of the artwork may resonate well in eclectic or contemporary decor styles, enhancing the overall ambiance of the room.
Superman / Falling from Heaven 3 | Falling from Heaven (2009 – 2015) is a series of Oscar Seco paintings: These surreal scenarios – colossal birds and ruins, suitable by the baroque artists Snyders, Claesz or Chardin – run between social criticism and still life as bombs in buildings. The artist limits the use of his usual bright colors to use only black and white and derived color areas. The result is photographic and documentary. The literary references of this series refer to the cycle of apocalyptic novels by J.G. Ballard as novels such as Mihail Bulgakov’s “The Fatal Eggs” or “Food of the Gods” by H.G. Wells.
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