My name is Kerry Inkster and I am an artist and yoga teacher living in the remote tropical city of Darwin, in the Northern Territory, Australia. The world of women swimming underwater features strongly in my work. My paintings explore the female fi...
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Material
Acrylic on Canvas, Ready to Hang
Size
120x90 cm
Price
2450 €
incl. vat, excl.
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Delivery within ca. 7 days
In crafting this piece, I poured my soul into the interplay of light and shadow, using acrylics and sprays to evoke the unseen vibrancy that surrounds us. My expressionist approach breathes life into the canvas, inviting viewers to ponder the unobservable energy of our world. The result is a dance of colour and form—a semi-abstract celebration of existence that infuses any space with a spark of wonder and philosophical depth.
The original image for this painting was taken during a photoshoot in Mataranka, Bitter Springs, in the Northern Territory. I was taken with the beautiful reflections of my model stretching out just underneath the water - reflecting the white dress. I have named it after Anthony Doer's poetically written novel "All the Light We Cannot See". I am always looking for positive motives to uplift and enrich women's lives - encouraging them to live braver and more fulfilled lives.
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About the artist
Kerry Inkster
Darwin, Northern Territory, Australia
My name is Kerry Inkster and I am an artist and yoga teacher living in the remote tropical city of Darwin, in the Northern Territory, Australia. The world of women swimming underwater features strongly in my work. My paintings explore the female figure and face through poetic symbolism, paint itself, light, colour, and personal journal. I am particularly interested in capturing feelings and in the water’s ability to foster healing, transcendence, escapism, and sanctuary.
My paintings have a distinctive, bright palette with saturated tones and contrasting light, and I work predominantly in acrylic on large-scale canvases. I use Notan principles, a term derived from the Japanese language, literally means “light-dark balance.” I find it to be an excellent tool for simplifying the composition of complex scenes and to see value instead of colour. This encourages my exploration of colour, employing Paul Gauguin’s synthetist style, where I aim to synthesise three features in my work; the outward appearance of natural forms; my feelings about my subject; and the purity of the aesthetic considerations of line, colour, and form.
My process involves working on each painting individually, so each one is unique in form, colour, and emotion. My paintings tread boundaries between pop art and expressionism, realism and abstraction. I strive to articulate a felt sense in physical form. My mission is to uplift women – this is the engine that fires my entire practice.