- Painting runs through my life as a thread. - I discovered my enthusiasm for the watercolor at the beginning of twenty during my art education. At the end of the nineties, I deepened my examination of oil painting. I like to work very pastos with a decisive brush. This gives the pictures a powerful expression. The plastic color application ensures a shadow throw, which changes the images depending on the light in the course of a day. - Plein Air painting - I like to be at the sea or in the garden, these are also my favorite places. Over the years I developed an outdoor working method, which enables me to end large -format screens in one work step.  The moods of the day manage to capture. That makes every picture special. The constantly changing weather conditions and the changing lighting conditions influence the painting process and the image design, delay it or accelerate it. I love these exciting challenges. - Working in the studio - The situation is different with the figure and macro studies: this work is created in my Flensburg studio. I first explore the subject with the camera and watch carefully. Only then do I go over to paint. I paint macrost studies, such as the springs, for months. When applying the layers of paint, I look forward to the plasticity of the shapes. In contrast to the Plein Air pictures, the works that are created in this way record for a moment. In my pictures, elements such as clarity and liveliness, depth and width are expressed. I have been exhibiting my pictures since the early 2000s and I am happy about the response.